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VIEW ANNA PIAGGI'S LOOK
Blouse
Blouse
Blouse
Blouse
Blouse
Harem Pants
Dress pants
Casual pants
Women's suit
Coat
Jacket
Blazer
Blazer
Cape
Cape
Cape
Cape
Cape
Anna Piaggi's Fashion Algebra: D.P. in Vogue 1998
Stephen Jones & the Accent of Fashion Book
Karl Lagerfeld's Illustrated Fashion Journal of Anna Piaggi
Bracelet
Bracelet
Bracelet
Cape
Hair accessory
Pant overall
Blazer
Hat
Hat
Boots
Collar
Ankle boots
Ankle boots
Platform pumps
Oblong scarf
Bracelet
Cardigan
Harem Pants
Gloves
Necklace
Boots
Bracelet
Gloves
Hair accessory
Daft Punk – Obsession May 2013
05/10/2013
The Eames
Lovers, collaborators, creators of the modern world.
Jack Kerouac
Chuck Sperry
Barbarella
Mary Shelley
Tim Burton & Helena Bonham Carter
Anna Piaggi
Amelia Earhart
MR & MRS JAGGER
Nim Chimpsky
David Hockney
Mata-Hari
Serge Gainsbourg & Jane Birkin
Helmut Newton’s Amazon Women
Adele Bloch-Bauer
Gidget
The Eames
Yayoi Kusama
The Z-Boys of Dogtown
Frida Kahlo
Candy Darling
The Dolly Sisters
Annie Lennox
The Thomas Crown Affair (1968)
The Flower-In-The-Rifle Guy of 1967
George Plimpton
Tenzing Norgay
Leigh Bowery
Angela Davis
Nikola Tesla
Gala
Polly Maggoo
Almodovar Women
Peter Beard
Jean-Paul Belmondo
Isabella Blow
Lee Miller
Karim Rashid
Paris Rebel Dude of 1968
Amelia Bloomer
Klaus Nomi
The most beautiful gazelle within a wild beast.
"Be who you are and say what you feel because those who mind don’t matter and those who matter don’t mind" Dr Seuss

Anna Piaggi

Fashion Editor. Mutating Sartorialist. Species of One.

Anna Piaggi was not only the most stylish 81-year-old to roam this planet, she was a complete species of her own. She was a creature in perpetual transformation, reconfiguring her million-and-one masks and costumes with a refreshing combination of art, architecture and in many cases, slap-stick humor. Her dazzling daily mutations would bring forth original looks that would shock the retina and tickle the mind.

Piaggi’s theatrical shtick would often include vintage canes, binoculars, and physics-defying hats. Ski poles featured as walking sticks. On one occasion, she reinvented the hat, balancing a wicker basket on her head filled with seaweed and crabs. One of Piaggi’s more interesting experiments involved hanging two pigeons she’d handpicked from the butcher around her neck, which went relatively smoothly until, around midnight, they started to bleed. Piaggi’s nonchalant response was to, “leave like Cinderella.”

Then there is the story of Piaggi at Paloma Picasso’s wedding, when her feathered hat burst into flames as she passed a lit chandelier. Onlookers no doubt took this as an unfortunate accident, but we tend to think this was another dimension of Piaggi’s choreographed theatrical genius.

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Even at 81, Anna Piaggi’s entrance would steal the show. Her true style was in her ability to transcend the stone-faced chic of fashion. Piaggi believed in fun, frivolity, and the fanciful. However, her philosophy of fashion as “humor, jokes, and games” was taken most seriously by the art world, where in 2006 her vast wardrobe filled the Victoria & Albert Museum in London in an exhibition titled: “Anna Piaggi: Fashion-ology”. For Piaggi, there were no walls between art and life and fashion; she fused all her passions into a single act of sartorial dissent. No doubt, she will be one of the most colorful angels floating above us in the fleeting fashion clouds, occasionally shooting arrows of inspiration into lingering Homo Fashionistas.

Text by Howard Collinge- The Unique Creatures 

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