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The Eames
Lovers, collaborators, creators of the modern world.
Jack Kerouac
Chuck Sperry
Barbarella
Mary Shelley
Tim Burton & Helena Bonham Carter
Anna Piaggi
Amelia Earhart
MR & MRS JAGGER
Nim Chimpsky
David Hockney
Mata-Hari
Serge Gainsbourg & Jane Birkin
Helmut Newton’s Amazon Women
Adele Bloch-Bauer
Gidget
The Eames
Yayoi Kusama
The Z-Boys of Dogtown
Frida Kahlo
Candy Darling
The Dolly Sisters
Annie Lennox
The Thomas Crown Affair (1968)
The Flower-In-The-Rifle Guy of 1967
George Plimpton
Tenzing Norgay
Leigh Bowery
Angela Davis
Nikola Tesla
Gala
Polly Maggoo
Almodovar Women
Peter Beard
Jean-Paul Belmondo
Isabella Blow
Lee Miller
Karim Rashid
Paris Rebel Dude of 1968
Amelia Bloomer
Klaus Nomi
The most beautiful gazelle within a wild beast.
"Be who you are and say what you feel because those who mind don’t matter and those who matter don’t mind" Dr Seuss

Technodaddies of the universe

Kraftwerk at the MoMA

“… Over eight consecutive nights, MoMA presents a chronological exploration of the sonic and visual experiments of Kraftwerk with a live presentation of their complete repertoire in the Museum’s Marron Atrium. Each evening consists of a live performance and 3-D visualization of one of Kraftwerk’s studio albums—Autobahn (1974), Radio-Activity (1975), Trans-Europe Express (1977), The Man-Machine (1978), Computer World (1981), Techno Pop (1986), The Mix (1991), and Tour de France (2003)—in the order of their release. Kraftwerk will follow each evening’s album performance with additional compositions from their catalog, all adapted specifically for this exhibition. This reinterpretation showcases Kraftwerk’s historical contributions to and contemporary influence on global sound and image culture… ” Via MoMA

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“… Their innovative looping techniques and computerized rhythms, which had a major influence on the early development of hip-hop and electronic dance music, remain among the most commonly sampled sounds across a wide range of music genres. Furthermore, the use of robotics and other technical innovations in their live performances illustrates Kraftwerk’s belief in the respective contributions of both people and machines in creating art.

In recent years, starting with their performance at the Venice Biennale in 2005, Kraftwerk has been invited into the visual arts context, festivals, and museums, most recently performing at Lenbachhaus Kunstbau in Munich. In contrast to all former presentations, where Kraftwerk videos, visuals, or the “robots” were presented in a museum conteQQQxt but performances were staged as concerts, MoMA is realizing a groundbreaking new display: the first synthetic retrospective to present, simultaneously and in one location, Kraftwerk’s complex layers of music, sound, videos, sets, and performance as a total work of art.

A presentation of Kraftwerk’s historical audio and visual material is on view at MoMA PS1, April 10–May 14, 2012 …”

 



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